Joy of Nature: Bringing Nature’s Beauty Indoors, Landscapes to Uplift Your Space

Step into a world where nature meets abstraction in Celia Wilkinson's "Joy of Nature", a captivating exhibition at The Hyde Gallery. Through vibrant layers of acrylics on canvas, Wilkinson transforms everyday landscapes into extraordinary, joyful vistas that fuse the natural world with abstract expression. Her brilliant use of color and form creates dynamic pieces that radiate energy and light, guaranteed to brighten any space.

These bold interpretations of the landscape invite viewers to rediscover the beauty of the world around them. With every stroke, Wilkinson captures the essence of changing seasons, blending them into mesmerizing compositions that evoke both tranquility and movement. Whether you are drawn to the serene or the striking, her work offers endless visual intrigue, ensuring you’ll never tire of their vibrant charm.

Join us at The Hyde Gallery to experience the joy and transformative power of nature through art.

Celia Wilkinson born in Bristol, UK, lives and works in the Isle of Wight off the South coast of England. She has an MA degree Central St Martins University of the Arts London and a BA from Brighton College of Art. Celia’s paintings were previously predominantly based on the landscape around Niton on the Isle of Wight, having lived in the area for many years, but during the last few years have also reflected her travels to various countries. She avoids immediate visual representations and paints from memory, enabling her to capture the essence of a time and place, but Celia likes to give the viewer something to contemplate and adds her emotional attachment to that place. Her influences include Patrick Heron, Paul Nash, Ivon Hitchins, Peter Lanyon, Paul Klee and Picasso among a host of others. These artists, she feels, have broken traditions of landscape painting with their very individual styles. She too is interested in the process of deconstructing the landscape and piecing it back together, so from a distance it is partly recognisable but the closer you get, the more it becomes about the painting process – drawing the viewer in to a riotous world of marks, textures, and colour.